Environments
Winter Guard is where SET is deepest today. Everything below is labelled honestly, so you can always tell what exists from what is intended.
Winter Guard is the flagship. The floor, the sets, the counts, the pathways, and the equipment each performer carries are the things SET was shaped to handle, because they are the things a guard designer works with every day. Everything else in SET grows outward from here.
Planned for this environment
A theater environment brings the same spatial thinking to the stage: where people stand, how they travel, and what the audience sees from their seat. The intent is a stage you can shape to the room you are actually working in, with the scenic elements that live in it.
Planned for this environment
This environment has not been built yet, so there is nothing real to show you. We would rather leave the space empty than illustrate something that does not exist.
Dance and drill teams design across both a floor and a field, often in the same season. The intent is an environment that follows the work rather than forcing it into one shape.
This environment has not been built yet, so there is nothing real to show you. We would rather leave the space empty than illustrate something that does not exist.
ROTC drill is spatial work with an exacting standard behind it. The intent is an environment that respects that precision — and that can use the field surface alongside it.
This environment has not been built yet, so there is nothing real to show you. We would rather leave the space empty than illustrate something that does not exist.
A field environment is not a separate product line — it is a surface the other environments can work on. That makes it directly useful to dance and drill teams, to ROTC, and to smaller marching ensembles that need a field to design on.
This environment has not been built yet, so there is nothing real to show you. We would rather leave the space empty than illustrate something that does not exist.
Private beta · invitation and access code